Summer Snow
The Snowflake Method
... there are a couple of things you can do to make that traumatic first draft easier.
Yeah, it's called writing it. Or if you need more of a kick in the ass to get started, National Novel Writing Month
The Snowflake Method is an outline in disguise. In a formal outline, you have main points, sub points, sub sub points and so on, numbering or lettering them in increasingly obscure ways as you prewrite the blood out of the muscles of your creativity. The Snowflake Method, however, involves not the hour or so you might take to do a formal outline, but weeks and weeks of prewriting, expanding one sentence into a paragraph, adding another sentence and then blowing it up, adding another sentence and blowing it up. Don't get me wrong. I like explosions. I like them in my stories, not before I get started.
When I saw this link posted in the Piker forums, I immediately ran away screaming as if my hair were on fire. ... Okay, so I wouldn't react that way to my hair being on fire. I ran from it screaming as if all my books were on fire. I have always hated outlines. I've learned recently that this even extends to the tried and true To Do List. A To Do List is basically an outline of chores or tasks that you wish to accomplish. An outline merely applies that idea to a specific form. Rather than cleaning leaves out of your gutter, you're writing a term paper. Or a novel. Or if you're outlineophobic like me, you're dooming all your efforts to failure. Outlines feel like chains to me. I don't know about you, but I don't feel free to move around and accomplish anything when I'm shackled.
"Silly bird!" you say. "Outlines are guidelines. You don't have to follow the structure exactly." Sez you. I have never ever written anything successfully by following even loosely a formal outline of any kind. Not even the best of my college terms papers came with an outline, and I had some damn good papers. Heaps of coffee stained pages with scribbled notes, index cards arrayed like Tarot and an instinct for where the work wanted to go is all I ever used for formal papers. Of course, I was forced to outline in high school, just to learn the formality of it. Once I knew the rules, I felt free to crack them open like Gallagher busting melons. Get yer umbrella out.
I almost never start a piece of fiction knowing more than the beginning and a possibly hazy, malleable ending. I know the characters better than I know myself. I know my settings well enough to remember that the drug store is on St. Aegis Street and not on Olympia Lane because, well, Pale right now only has one named street, and it's St. Aegis. Writing is a journey, not a destination. I can write without a net because if I fall, like a goldfish, I bounce. It's perfectly acceptable if not preferrable to write with no clear cut path. If you begin to write and find that your characters are steering you away from your outline or your snowflake, you will falter. You'll get frustrated. You'll stop writing. What's the point of planning a novel to that degree of detail if you stop working on it?
That said, I thought I would do something different this evening. Having just finished writing a story in two days (63 longhand pages) that may or may not be any good, I figured I would give my throbbing hand a rest and do some reading or maybe something else. Then I thought about the Snowflake Method. Why not take a look at the steps, grab a notebook and start snowflaking this year's NaNoWriMo idea? It couldn't hurt to try, and I've been worried about the plan. Basically, there is no plan. There are characters I know intimately. There is a point to move the action towards. Conflict, angst, blood, wings, poetry, music, sex. All the things a NaNo needs. Plot? In one sentence, a rockstar with a possessed guitar and a major crush on his best (male) friend (among other problems) seeks to end the torment of his existence through means other than death. Yipes. That's not much to go on. But when did I ever need much to go on? No net, right? *looks down* Crap what a long way to fall.
Anyway. So I set out to read about the Snowflake Method. Because I hadn't read the steps involved, just the overview Alex posted. I didn't get very far before I felt the hives fattening on my muse's sensitive skin. Oh, I tried. Believe me, I tried. I couldn't even read the whole thing without feeling some kind of strong negative reaction to each and every step I skimmed over. It's a mathmatical, dessicated approach to writing, and I felt the dust blowing hard through every word I read. Snowflake my ass. It's more like a tumbleweed, all dead and rolling along. It moves, but there's no life to it. It's blown along on the wind of whatever prose is behind it. I don't read stories just to read words, although I admit words are a major draw. I'm looking for characters, story, a pulse.
I also didn't like that all this prewriting is done across the span of weeks. Weeks! My gods, if I took that kind of time to snowflake my stories, I'd never get anything done! Actually writing a draft of the story isn't even mentioned until the end, and at that point, it's an afterthought. At that point, at least for me, it's too damn late.
I can make outlines. I can produce snowflakes. It's not that I'm incapable of doing these things to my stories. I don't think in a linear fashion. It's a nebulous thing, this creativity/inspiration/drunk Muse. Sometimes, orderly little solar systems fall into place out of the roiling gases of creation. Other times, stars implode and leave me with messy black holes. I free associate things in my head. That's how I ended up nearly spraining my hand writing the last two days. I'm lying in bed trying to sleep, thinking up little tales to tell myself, and suddenly there's a prince playing the part of Sleeping Beauty and a retired knight doing the Sherlock Holmes impression (without the drug habit, though). I woke up the next morning and wham! Story. No net. And I didn't stumble. Had I taken that precious little drop of life's blood and tried to snowflake or outline to make sure I knew whodunit before I started writing, I would have never written it.
Some people adore outlines and snowflakes and all manner of tables, graphs, charts, bars and ball-and-chains they can put on their story. Good for them! Some people need to reign in those wild horses before they can get to work. Me, I have to watch them run. That's the beauty of it. That's why I do this.

